“Chanel-mania”

Words by Lynn Mathuthu

Chanel Cruise 26/27. Copyright CHANEL

“Chanel-mania” is the term best used to describe the phenomenon currently sweeping through the fashion world. Not to be confused with choreomania, the dancing plague that swept through mainland Europe in the 17th century. Although, the two share a surprising similarity. Both involve groups of people overcome by an uncontrollable frenzy in the streets. Except, instead of dancing, they are filing through clothing racks, slipping into two-toned slingbacks and hoisting burgundy Maxi Flap bags over their shoulders.

In a major announcement that has sent ripples through the industry, Chanel has revealed it will re-stage its Resort 2027 collection in Sydney later this year.

The landmark event marks a first for the House and signals the arrival of global Chanel-Mania on Australian shores. In many ways, the decision feels unsurprising. Since taking the helm, Matthieu Blazy has steadily strengthened the brand’s connection to Australia, casting First Nations models Latahlia Hickling and Tatyana Perry, alongside Josephen Akuei and Emma Balfour, across campaigns and runway presentations.

For a House renowned for taking its destination shows around the globe, Sydney feels like a natural next chapter. From Rome and Tokyo to Biarritz, Chanel has long used its Métiers d’Art and Cruise presentations to celebrate craftsmanship through a local lens, while generating the kind of cultural conversation only fashion can. Most recently, it was the now infamous “half shoe” which sparked a philosophical debate on footwear.

Beyond the spectacle, Chanel’s arrival presents a significant moment for the Australian fashion industry. The presence of a global luxury house on this scale has the potential to spotlight local artisans, suppliers, boutiques and creative talent, creating opportunities for collaboration and international visibility. In an industry often defined by exclusivity and geography, Sydney’s selection reinforces its place on the global fashion map.

For Australian fashion enthusiasts, it is more than just a runway show. It is a rare opportunity to witness French savoir-faire up close, as one of fashion’s most influential Houses brings its world to ours.

Next
Next

‘Turn Turn Turn’: Painting Place with Ondine Seabrook at R.M. Williams